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diggly:

mamacastiel:

why does this have 32k notes? it’s just a picture of a knife in a ranch bottle, is there some unspoken joke that 32 thousand people share? what is going on here, i dont get it. it’s just a fucking picture of a knife in a ranch bottle. is there some spiritual connection people have to this picture? is there some ominous and mystical reasoning that this has 32 thousand notes? do people reblog this because it makes them look like some indie blogger? or is there just something funny to this? someone please explain

no one tell him

(Source: zero1infinity)

White Marijuana Millionaires.

curvesincolor:

Since Colorado voted to legalize marijuana for recreational use in January, that vote has created more then 20 white marijuana millionaires who the Government has allowed to store their millions in U.S. Banks. 

Keep in mind that there are more then 100,000 black and latino people who are in American prisons for the same simple possession and intend to sell marijuana. 

BUT THEY MAKING WHITE BOYS MILLIONAIRES FOR COMMITTING THE SAME ACT!

blacksupervillain:

malcolmsex:

pennislots:

riningear:

Every time this post comes around, I have to explain this. 

Watch Dennou Coil, the most underrated anime pretty much ever. 

  • Yes, this is the standard of animation throughout the series. 
  • AND THIS IS A FILLER EPISODE. 
  • It’s basically about kids with what’s essentially Google Glass: The Game. The whole world is affected by this game. Traffic lights, school, anything. 
  • It’s good in the beginning and gets really, really good by the end. 
  • Shows the vulnerabilities of children.
  • Well-written children in general. They fall under some tropes but they don’t suffer from the usual fallacies of writing children into series. 
  • And yeah, the filler episodes are really good. The whole series is worth watching. 

Reblogging as a reminder to myself

 wish this show was longer.

i’m gonna watch this

(Source: piyox22)

lookforwardletgo:

shamelesslyunladylike:

himitsubasa:

copperkiwi:

ninjaeyecandy:

4gifs:

Bully messes with karate champ. [video]

The source video is very, very worth watching. A few things to point out:

The young woman in the dark coat is continually trying to escape from the man. She has spoken to him, she’s pulled away, she’s even tried to walk away before he dragged her back. She hit him as a last resort but it didn’t do anything, he just got more aggressive.

The girl in the white jacket was walking by, recognized that a bad situation was happening, stopped, and intervened. At 0:28 she calls the man out, and continues to call him out until he breaks off attacking the young woman in the dark coat and turns his aggression on her. At which point she defends herself—and then she escorts the young woman in the dark coat safely away.

This is a hero.

Bringing this back.

GIRL POWER

The woman in the white jacket is Olga Ivanova, taekwondo world champion. That kick must have hurt like hell.

quick, too. Good shit.

(Source: 4gifs)

lookforwardletgo:

shamelesslyunladylike:

himitsubasa:

copperkiwi:

ninjaeyecandy:

4gifs:

Bully messes with karate champ. [video]

The source video is very, very worth watching. A few things to point out:

The young woman in the dark coat is continually trying to escape from the man. She has spoken to him, she’s pulled away, she’s even tried to walk away before he dragged her back. She hit him as a last resort but it didn’t do anything, he just got more aggressive.

The girl in the white jacket was walking by, recognized that a bad situation was happening, stopped, and intervened. At 0:28 she calls the man out, and continues to call him out until he breaks off attacking the young woman in the dark coat and turns his aggression on her. At which point she defends herself—and then she escorts the young woman in the dark coat safely away.

This is a hero.

Bringing this back.

GIRL POWER

The woman in the white jacket is Olga Ivanova, taekwondo world champion. That kick must have hurt like hell.

quick, too. Good shit.

(Source: 4gifs)

Anonymous

Anonymous asked:

This is gonna sound so stupid but what is a fuckboy? lol

beautifullthoughthsofshe:

rememberingsuunday:

fuckboy symptoms:

  • timothy over here askin’ for nudes when all u did was say hello
  • connor who won’t calm down with his axe spray tryna infect ya lungs
  • colin adding #420 to his bio when he smoked weed one time
  • gregory mad cause u didn’t blow him after the first date

how to spot a fuckboy:

  • white nike tube socks with his adidas sandals
  • he wants to play 20 questions (!!!!!!!!! do not play !!!!!!!!!!! especially if there’s a “;)” involved)
  • relies on his mom but doesn’t respect women
  • looks like he just read one of jaden smith’s tweets in all of his selfies
  • can’t find the clitoris

fuckboys come in all shapes and sizes and results may vary but when he a fuckboy…he a fuckboy…and u will know

I LOVE THIS

jcoleknowsbest:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

But then are we surprised…. white people aren’t particularly creative… they steal and oppress very well doe…

(Source: melanskyyworld)

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